Play Along Piano

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Renaissance

Thomas Gruselle

12:27	Est. Play Time
255	Measures
	2,343Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clarinette en Si♭	14	0	3	7	71%
Flûte	12	0	1	7	67%
View all 13 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Clarinette en Si♭	14	3	7	71%
Flûte	12	1	7	67%
Saxophone Baryton	17	3	7	65%
Saxophone Ténor	12	0	7	63%
Saxophone Alto	15	4	7	44%
Euphonium	13	3	7	39%
Trombone	13	3	7	39%
Trompette en Si♭	11	2	7	39%
Tuba	15	3	7	39%
Flûte 2	16	4	5	33%
Flûte 3	11	0	5	29%
Saxophone Ténor 2	10	1	6	21%
Saxophone Alto 2	8	0	5	6%

To Thee, M'lady

wade.allen.965

4:00	Est. Play Time
120	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	59	1	6	100%
		25	44	1	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	59	1	6	100%
		25	44	1	6	100%

Josquin des Prez: Fortuna d'un gran tempo plus Spinacino

H. Gürtler

1:43	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar	25	45	6	6	100%
Alto	11	0	3	6	92%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar	25	45	6	6	100%
Alto	11	0	3	6	92%
Tenor	13	0	1	6	88%
Bass	12	0	3	7	77%

Renaissance ''Danserey'', Antwerpen A.D.1551, Tilman Susato

FarrierPete

12:42	Est. Play Time
225	Measures
	5,060Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratsche	13	0	2	7	98%
English Horn	15	0	3	7	98%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratsche	13	0	2	7	98%
English Horn	15	0	3	7	98%
Oboe	16	0	4	7	98%
Violoncello	14	1	3	7	98%
Pauke	12	12	0	7	73%

Omnes Hanc Ergo a 6 (Monteverdi)

rinirini

2:49	Est. Play Time
54	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	13	0	3	6	80%
Soprano II	13	0	4	7	80%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	13	3	6	80%
Soprano II	13	4	7	80%
Tenor I	14	4	9	74%
Alto	13	4	5	70%
Bass	13	2	7	67%
Tenor II	13	3	9	67%

In Veritas

Jesse David Sykes

1:12	Est. Play Time
36	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone	12	1	6	97%
Tenor	11	2	6	94%
Alto	10	1	6	89%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone	12	1	6	97%
Tenor	11	2	6	94%
Alto	10	1	6	89%

O beata Maria (P. Guerrero)

rinirini

1:38	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	0	0	6	100%
Alto	12	0	1	6	98%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	0	6	100%
Alto	12	1	6	98%
Tenor	9	0	6	92%
Bass	9	0	6	90%

Anchor che col Partire

Debberg

2:44	Est. Play Time
82	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	8	6	0	5	91%
	13	16	2	6	94%
Soprano Recorder	15	0	2	7	94%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	8	6	0	5	91%
	13	16	2	6	94%
Soprano Recorder	15	0	2	7	94%

Heinrich Isaac: Benedictus plus Spinacino

H. Gürtler

1:54	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar	21	68	4	5	100%
Bass	12	0	2	6	98%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar	21	68	4	5	100%
Bass	12	0	2	6	98%
Tenor	12	0	3	6	89%
Alto	13	0	2	6	86%

sweelinka5GaudeteOmnes

barweiss

3:35	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute, Soprano I	13	0	4	7	100%
Alto Flute, Alto	14	0	3	7	98%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute, Soprano I	13	4	7	100%
Alto Flute, Alto	14	3	7	98%
Bass Flute, Tenor	14	4	6	95%
Flute, Soprano II	12	2	7	94%
Bass Flute, Bass	15	4	7	92%

Scarborough Fair - Civilization VI England Medieval/Renaissance Theme

Zhaolin Liu

4:48	Est. Play Time
169	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		34	68	8	7	100%
		32	47	3	5	58%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		34	68	8	7	100%
		32	47	3	5	58%

POPULE MEUS - Tomás Luis de Victoria (1548-1611)

collantes

1:30	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	8	0	1	6	100%
Bass	9	0	0	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	8	1	6	100%
Bass	9	0	6	100%
Soprano	10	1	6	100%
Tenor	9	1	6	100%

Lament for Kilcash arr. Cantiga

viola.ambera

3:51	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Harp	15	25	7	99%
	23	26	4	93%
Violoncello	21	1	7	73%

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Harp	15	25	7	99%
	23	26	4	93%
Violoncello	21	1	7	73%

Polemics between Zarlino and Rameau

Plagal

3:03	Est. Play Time
93	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Recorder	22	0	18	6	94%
	27	0	19	6	94%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Recorder	22	18	6	94%
	27	19	6	94%
Alto Recorder	24	19	6	88%
Bass Recorder	28	13	6	61%

Sinfonia à 4

Makoto

1:58	Est. Play Time
30	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	5	6	96%
		24	0	6	6	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	5	6	96%
		24	0	6	6	90%